Rainbow - 'Live In Boston 1981'

 


THE  BAND:
Ritchie Blackmore - guitar
Joe Lynn Turner - vocals
Don Airey - keyboards
Roger Glover - bass, percussion
Bobby Rondinelli - drums


SETLIST:
1.) "Spotlight Kid"
2.) "Love’s No Friend"
3.) "I Surrender"
4.) "Man On The Silver Mountain"
5.) "Catch The Rainbow"
6.) "Can’t Happen Here"
7.) "Lost In Hollywood"
8.) "Difficult To Cure"
9.) "Long Live Rock N’ Roll"
10.) "Smoke On The Water"



--------------------------------------------------------------------------------------BIOGRAPHY------------------------------------------------------------------------------------------
   By 1973, Blackmore had steered Deep Purple through a significant personnel change, with Ian Gillan and Roger Glover being replaced by David Coverdale and Glenn Hughes. However, the new members were keen to add new musical styles and Blackmore found his request to record the Steve Hammond-penned "Black Sheep of the Family" with "Sixteenth Century Greensleeves" turned down by the band.  He decided to record the song with Dio instead, using Dio's band Elf as additional musicians.  He enjoyed the results, and a full album, billed as Ritchie Blackmore's Rainbow was recorded between February and March 1975 at Musicland Studios in Munich, Germany. The band name was inspired by the Rainbow Bar and Grill in Hollywood.

   Rainbow's music was partly inspired by classical music since Blackmore started playing cello to help him construct interesting chord progressions, and Dio wrote lyrics about medieval themes. Dio possessed a versatile vocal range capable of singing both hard rock and lighter ballads, and, according to Blackmore, "I felt shivers down my spine." Although Dio never played a musical instrument on any Rainbow album, he is credited with writing and arranging the music with Blackmore, in addition to writing all the lyrics himself.  Blackmore and Dio also found a common ground in their sense of humor.
   Following the positive experience of recording with Dio, Blackmore decided to leave Deep Purple, playing his last show in Paris in April.  The album had a positive critical reception and was a top 20 UK and top 30 US hit. Blackmore's departure from Deep Purple was publicly announced on 21 June.
   Rainbow performing in Munich in 1977. The electric rainbow that spanned the stage used so much power, it frequently interfered with the guitars and amplifiers.

   Blackmore was unhappy about carrying the Elf line-up along for live performances, and so he fired everybody except Dio shortly after the album was recorded, due to Driscoll's style of drumming and the funky bass playing of Gruber. Blackmore would continue to dictate personnel for the remainder of the band's lifetime, with drummer and former bandmate Ricky Munro remarking "he was very difficult to get on with because you never knew when he would turn around and say 'You're sacked'." Blackmore recruited bassist Jimmy Bain, American keyboard player Tony Carey and drummer Cozy Powell, who had previously worked with Jeff Beck and had some solo success. Powell also greatly appealed to Blackmore in their mutual fondness for practical jokes.  This line-up also commenced the first world tour for the band, with the first date in Montreal on 10 November 1975. The centerpiece of the band's live performance was a computer-controlled rainbow including 3000 light bulbs, which stretched 40 feet across the stage. A second album, Rising, was recorded in February at Musicland. By the time of the European dates in the summer of 1976, Rainbow's reputation as a blistering live act had been established. The band added Deep Purple's Mistreated to their setlist, and song lengths were stretched to include improvisation.[20] Carey recalls rehearsing the material was fairly straightforward, saying "We didn't work anything out, except the structure, the ending ... very free-form, really progressive rock."  The album art was designed by famed fantasy artist Ken Kelly, who had drawn Tarzan and Conan the Barbarian.
   In August 1976, following a gig at Newcastle City Hall, Blackmore decided to fire Carey, believing his playing style to be too complicated for the band. Unable to find a suitable replacement quickly, Carey was quickly reinstated, but as the world tour progressed onto Japan, he found himself regularly being the recipient of Blackmore's pranks and humor.  Blackmore subsequently decided that Bain was substandard and fired him in January 1977. The same fate befell Carey shortly after. Blackmore, however, had difficulty finding replacements he liked. On keyboards, after auditioning several high profile artists, including Vanilla Fudge's Mark Stein, Procol Harum's Matthew Fisher and ex-Curved Air and Roxy Music man Eddie Jobson, Blackmore finally selected Canadian David Stone, from the little-known band Symphonic Slam. For a bass player, Blackmore originally chose Mark Clarke, formerly of Jon Hiseman's Colosseum, Uriah Heep and Tempest, but once in the studio for the next album, 'Long Live Rock 'n' Roll', Blackmore disliked Clarke's fingerstyle method of playing so much that he fired Clarke on the spot and played bass himself on all but four songs: the album's title track, "Gates of Babylon", "Kill the King", and "Sensitive to Light". Former Widowmaker bassist, Australian Bob Daisley was hired to record these tracks, completing the band's next line-up.
   After the release and extensive world tour in 1977–78, Blackmore decided that he wanted to take the band in a new commercial direction away from the "sword and sorcery" theme. Dio did not agree with this change and left Rainbow.
   Blackmore asked Ian Gillan, also formerly of Deep Purple, to replace Dio, but Gillan turned him down. After a series of auditions, former singer/guitarist of The Marbles, Graham Bonnet was recruited. Powell stayed, but Daisley and Stone were both fired, the latter replaced by keyboardist Don Airey. At first the band auditioned bass players, but at Cozy Powell's suggestion Blackmore hired another former Deep Purple member, Roger Glover, as a producer, bassist and lyricist. The first album from the new line-up, 'Down to Earth', featured the band's first major singles chart successes, "All Night Long" and the Russ Ballard-penned "Since You Been Gone". In 1980, the band headlined the inaugural Monsters of Rock festival at Castle Donington in England. However, this was Powell's last Rainbow gig: he had already given his notice to quit, disliking Blackmore's increasingly pop rock direction. Then Bonnet resigned to pursue a solo project.
   For the next album, Bonnet and Powell were replaced by Americans Joe Lynn Turner and Bobby Rondinelli, respectively. The title track from 'Difficult to Cure' was a version of Beethoven's Ninth Symphony. The album spawned their most successful UK single, "I Surrender" (another Ballard song), which reached No.3. After the supporting tour, Don Airey quit over musical differences and was replaced by David Rosenthal.
   The band attained significant airplay on Album-oriented rock radio stations in the US with the track "Jealous Lover", reaching No. 13 on Billboard Magazine's Rock Tracks chart. Originally issued as the B-side to "Can't Happen Here", "Jealous Lover" subsequently became the title track to an EP issued in the US that featured very similar cover art to 'Difficult to Cure'.
--------------------------------------------------------------------------REVIEW BELOW----------------------------------------------------------------------------
    Recorded live at the Orphem Theatre almost thirty-five years to the date of this review on May 7, 1981.  The show was recorded while Rainbow was on tour in support of their 1981 release titled, 'Difficult To Cure'.  This was the first Rainbow tour to premier now legendary vocalist Joe Lynn Turner.  For the ten-song setlist four songs from 'Difficult To Cure' made the cut. Recorded for the King Biscuit Flower Hour in 1981 shortly after Ritchie released singer Graham Bonnet, what is included here is a set of pop-metal songs that are all anchored around Blackmore's over-the-top lead guitar antics. Although some of the biggest songs of the band's career had yet to be recorded when this show was captured, the concert still had an amazing setlist.
   To have originally been a bootleg the sound quality cleaned up amazingly well!  I will not compare Joe Lynn's vocals to DIO's however I will say Joe does an admirable job.  Unless you are watching the bootleg VHS version of this performance you really can't tell just how much of a showman Bobby Rondinelli is.  Of Blackmore's catalog up to '81 the band choose a great setlist. 
   This newly released bootleg is a must have for all Rainbow fans!!!!